Spirit Communicator

Spirits of Cary Grant, Elvis Presley, Myrna Loy, William
Powell, Humphrey Bogart, writers
Nikolai Gogol and Ruth Montgomery, Mary of Magdala and Paramahansa Yogananda speak in the book Prisoners of Fame, revealing new information about afterlife,   mental
body and mental thought forms — how they look and how they work.  In simplified interpretation, the drama begins with the materialization of our thoughts on a mental level, where energy vibrates at a higher frequency. Thoughts become images. Images of negative thoughts “coat” our mental bodies, attracting more negativity into system, clogging energy channels and “inviting” negative events into our lives. In other words, our thoughts create our destiny: at certain concentration mental debris cause debilitating illnesses, personal unhappiness and, taking up too much  space — imminent death!

The search of answers to celebrities’ problems in their afterlife led to an astounding conclusion: the living and the dead, people on earth and departed souls in afterlife have the same goal — to release as much negative thought forms as possible!
The knowledge about it has been always scattered everywhere
under our very noses — in ancient wisdom, hidden in our languages and
understanding of healthy lifestyle, in Bible, myths, fairytales, and in
anthropological recordings of wisdom of natives all over the world.  It has been available to public always. The reason why we ignore it, is because this knowledge doesn’t fit in our concept of afterlife as a souls’ resting place.
In this book, celebrities speak about two different problems:
1) the impact of mental debris on our mental bodies. Cary Grant’s spirit messages are especially graphic in this regard.
2) the egregores, large thought formations built from negative thoughts and emotions of celebrities’ fans. Some celebrities call them “cosmic doppelgangers”.

Humphrey Bogart’s story how he met his “doppelganger” is one of the most thrilling spirit messages in this book. If meeting with their “doppelgangers” in afterlife is the celebrities’ concern  exclusively, then facing the true condition of mental body in afterlife is everybody’s problem. There are no exceptions, we all have mental debris and to cleanse them is, as a matter of fact, the most important thing to do for healthier and happier life.
Paramahansa Yogananda and Luule Viilma offer some practical instructions how to clear our mental debris. Incredible information about consequences of harboring negativity and practical ways of healing were given by Cary Grant, Elvis Presley, William Powell, and Nikolai Gogol, Russian writer from 19^th century, the classic. None of celebrities speak about the afterlife theoretically. Mastering their power of concentration and crystal clear thinking they share unique firsthand experiences and it makes all the difference in the world! They are professional storytellers, and we are thankful listeners. Exceptional
single spirit messages from Mary of Magdala and Nikolai Gogol and collection of excerpts for how mind works from Mirra Alfassa may revise your views on life, death and destiny.
Why would spirit world reveal new and not so comfortable information about afterlife? From beyond the grave, Leslie Flint, a great English independent voice medium thinks that the reason is in lying. Advertisement, media, lies in personal relationships are a mighty source of negative thought formations that “coat” mental bodies, stay there and via law of attraction invite things into our lives that we try to avoid.

Prisoners of Fame is a honest introduction into a vast and relatively new topic of the complexities of the mental plane. The research of powerful and double-edged mental plane is still ahead of us.

Happy Birthday, Elvis !

from PRISONERS OF FAME… http://www.amazon.com/dp/B006O09HF4

From Scratch, May 29, 2001
… EP: —No one will believe what I am doing. I am singing do, re, mi, fa, sol. It makes Europeans who have to do the same crazy, but I kind of enjoy this crazy bore. Yes I do, both by singing my gamut straight and by chord scales up and down — all in no-time! I tease them while singing by putting three or four half-tones between “do” and “re,” My teacher and I have a great time!
T: —Who is your teacher?
EP: —Oh there are many teachers. They all are Italians. They long for their food, women and wine. I am like an American kid among these old country bosses. They are more important than I ever was! They are so … formal and cold. I try to warm them up a little bit. They bottle me up and tell me where there should be a proper time-space for my emotions. They try to teach me to sing the right way. They tell me there will be no time for me on earth to play a schoolboy role. I will meet a teacher who will recognize me and push me on stage right away. I will finish my formal schooling as I am singing and being a star.

My Papageno, June 29, 2001
EP: — Yes, Papageno¹, you heard me right. Mozart worked with me. He yelled at me saying I’m a heavy American. He performed Papageno for me, making me follow his rhythm. It was terrific! Then there were more old, forgotten and incredible operas. I sang them all and we sang together. I have to adjust my voice and likeness to sing everything there is. I also did Violetta’s part and we had fun with her dying aria. If you watch it closely enough there is reason for a good laugh, … Wake up, my dear, you are slower than a snail today.
EP: —Let’s talk about my Greek incarnation. I was close to becoming a star, but I preferred not to proceed… I lived in Florina and my name was… Who was I? A drunkard or a singer or a poet?
T: — Will you sing the Leporello aria as well?
EP: — Of course. A good visual medium will find all these images. Mozart and me —put us on the cover together. I want the pictures of my future…
1 Papageno, a bird hunter, is a character in the opera “Magic Flute” by Wolfgang Amadeus Mozart.

Shiny Boots, July 4, 2001
T: — What were your happiest moments on earth?
EP: —I was happy with Pricilla. Her book 1 tells it all and it is written fairly. Also I was happy at an early concert … I was wearing the short black leather jacket and I had shiny boots… The shiny boots were brand new; this was all I could afford. I was 18 years old, and I sang a couple of songs. People started to applaud and they did not let me go. But backstage there were others who were waiting their turn and I had to leave the stage. The audience clapped rhythmically and whistled and stomped their feet. They wanted more. I was told to sing some more. The sun was setting and the light was strange… It happened in Memphis. It has been described in detail in some books about me. Only they don’t mention I was wearing new, shiny boots.
When I heard the applause, I knew I blended with the audience. I knew I was good. I knew I would master control over my audience. The audience melt-in took place; the blend occurred. I could taste the audience.
It was like arriving home. The stage was my home in past lives and it will be again in my next lifetime. Every man knows what he has to do on earth but many cannot fit in or find their niche. People feel a conflict between their knowledge of what they are supposed to do and their accountability. They feel guilty knowing that they betray themselves and God but they cannot help it. They roam around blindly because they cannot see or hear it, cannot reach out for it, and they cannot blend in. They fail to find their true place, true love, family, friends, their dog, horse, their true house, and life… and they drift from place to place. They try to settle in but nothing feels right, because what they do is not what they are supposed to do….
I was lucky to know what my role on earth was and to be doing it at age 18. I felt I was already flying high! I got my wings and I was moving towards my first recordings and my first conflicts. I knew I was where I was supposed to be but others still didn’t see it that way. There were many who considered me to be a crazy, self-obsessed, egocentric, who only wanted to sing… They thought that the first upheaval of the crowd brought on by my singing was an unhappy accident that would pass. But it didn’t pass and I had to look for some representation – a person who would book more appearances for me… The first such a person was… Dewey. 2 He was the first to air “That’s All Right, Mama,” playing it 14 times.
T: Because of the audience’s enthusiastic response, Phillips interviewed Elvis on the air the same night, making Presley’s first radio interview happen.
EP: —Then there were many other promoters until I found Tom Parker, or he found me. He was the first to stretch a helping hand when I arrived on the national stage and was lost, lonely, and didn’t know what to do. That was when he started to build a glass wall around me but I turned a blind eye to it. Together we made our first money and both of us were out of the pit and suddenly rich… I needed money. My folks needed money. We all needed money and I was blinded by money. I did not want to look further. I did not think about tomorrow. I was breathing in my success and happiness. I didn’t see that ethereal
“baggage” was already piling up around my feet.

1 Elvis and Me, 1985, a biography by Priscilla Presley and ghostwriter Sandra Harmon
2 “Daddy-O” Dewey Phillips (1926 – 1968) was one of rock ‘n’ roll’s pioneering disk jockeys and Memphis’ leading radio personality. In 1954 he was the first to broadcast the young Elvis Presley’s debut record “That’s All Right/Blue Moon Of Kentucky”.

The Class of History of Music, August 10, 2001
EP: — Firstly, Stravinsky, Mahler, and European contemporary music sounded strange to me! When I was on earth I knew nothing about it. But lately, while spending much time working in the library for my history of music class, I found something that may be good for the book. I have to learn so much more than just Mozart… I have to learn about ancient heavenly church music such as Russian church music based on the human voice instead of the organ. It is perfect music because it is alive. It sounds like choruses of angels. There is Indian and African music for healing… They used certain sounds for certain healing, for cleansing certain charkas. There is a beautiful sound for cleansing heart chakra. Listening to that sound I feel sweet pain in my heart chakra and it brings back memories of childhood, the good moments in my relationship with my mother. Or, there are sounds of drops — and you see how spring waters are falling from the snowy roof. This is for healing throat chakra: there is white and blue sky, a lot of blue freshness and in silence you hear how drops are falling quietly on a glassy surface.
The sound for the third eye is a guttural “aum.” It is pronounced “ouuuuuuuuum,” as if trying to turn around something in your head. It goes to the center of your head as a prayer. You start with the prayer, choosing your most sacred prayer, like “Our Father” in Russian. After the prayer comes the orchestra. It produces a quiet, collective sound, like a wave of sighing — ah-hhh-ahhhhahhoaeiu. It is important to calm down. It calms a person down, it creates a full silence and you let the gold — the golden light come to you…
But you do not begin your study by experiencing silence. There are also loud drums, all the rock and contemporary metal and whatever. There is also sexual chakra music — a loud, rhythmic sound that works on the first two chakras that grants the physical survival of humanity.
Next, the third chakra says, “Give me my way. I am an individual and I want to stand out from the crowd! I am!” The “I am” movement came from the third chakra vibration. Its power is used for individualization rather than for integrating an individual back into humanity.
Development starts from the work with the fourth heart chakra. A person with an open fourth chakra takes in the world’s pain. He is ready for compassion and dialogue with the world and loved ones.
The correct use of the fifth chakra’s energy is to learn to listen… You can speak, if you understand what you say. And you know what to say when you listen to what is in the heart of the other person, people, a collective, nation, humanity, God… People think that the fifth chakra is about talking. No, it is about silence and listening, taking in other peoples wishes, passions, thoughts, goals and ambitions… In other words, getting in touch with the world and developing a dialogue.
Your life is an example of how the fifth chakra energy works in silence. You learned to listen to other artists, while writing reviews about them, practically without any pay for a long time. When they stopped you, it cleansed you…
Every music has its epoch, its culture.
The first chakra music — drums and drumming belongs to Africa.
The second chakra music — rock-‘n-roll, heavy metal, rap belongs to America.
The third chakra music was expressed by Western culture through composers such as Shubert and Bach. This music says, “God, I am here, and I am your servant. God, take me, make me your servant. I am an individual. I am a European.” This is music of Hamlet’s culture.
The fourth chakra music is a rare find. It can be found in few monasteries in Europe and Asia Minor. …Some mothers sing it spontaneously while putting their child to sleep and while passionately trying to understand what their baby needs. The fourth chakra sounds appear in Ave Maria and some opera arias. But really, there is not much of it …
The fifth chakra music is complex. Only Tibetan monks master it. A genius has to be born to express the silence of the fifth chakra in music. That is quite a task!
The six chakra vibes can be engaged only through prayer and the sound “aum.” The music for that chakra isn’t born yet.
The seventh chakra! A mix! It is strange, but modern symphonic music attempts to synthesize the sounds and music of different chakras and cultures together.

I Will Do It Differently, October 11, 2001
EP: —I was amazed by Bergman’s production of “Magic Flute” and the sweetness of the music… I will do Papageno first, at the beginning of my singing career and it will open doors for me. Later I will do all of Mozart’s remaining operas and much more. I will do them differently — I will try not to be so tough and righteous. On the contrary, I will try to express humanness in music. Papageno… I like the jingle bell part. It can be expanded, as can the story that goes with Papagena… Of course, other parts of that opera are considered more important but I think the jingles have a place through all the parts…
T:—Will the Papageno role do for you in Europe what “It’s All Right Mama” did for you in the United States?
EP: —I never saw it that way. But, yes indeed! It will be my ticket to the international stage. I will travel a lot, much more comfortably… I will not push a car with a dead engine up the hill as we once did during my career in Memphis, Tennessee. I’ll stay in great, old-fashioned hotels.
T:—Let me ask you about some Estonian singers, like Georg Ots?
EP: —Georg Ots? …My God! He would choose the career of a priest, a monk… He is ready to deny his voice and what a voice. Why? He did Gershwin and other American music in the Soviet Union! I am going to talk to him… No, no! Thank you for pointing it out. We will talk later. No, no, I will find out. It’s my duty to take care of this kind of people and talents…Talk to you later…
(Later, Elvis Presley said that his helper Lilian made this meeting to happen. Georg Ots met them with open arms, but did not change his decision to become a monk in a European Christian monastery. He said he will not deny his voice and sing church music. He needs a monk lifetime for cleansing the sticky Soviet stuff off his mental body. He will prepare for a musician career on international level that he was deprived from… not by the Soviet regime only. The soul heaviness from previous very successful lifetimes made him to be born as an Estonian singer in times of the Soviet rule. Elvis concluded: “We wished him good luck and parted as friends. I know we will meet again, and maybe sing together one duet or two!”)

Difference in Opinions Between Mozart and Presley, November 3, 2001
T: While I was cleaning my kitchen a new sound overrode the noise of tap water. I turned off the faucet. Music from The Magic Flute filled the air. With my third eye I saw Elvis Presley, pale and tense, with a huge stack of disks under his arms, adding them to an even bigger pile on a table in that room. He was explaining to someone, probably Mozart, that by calling Papagena into his life, he did not need that stupid pennywhistle’s viuh and vauh. He kept repeating, “My God, he is calling love into his life…. Here is what birds do!” And Presley pointed to the mountain of disks on the table. “I found these disks with bird love songs in library. I can sing them; I can do it with my voice instead of that whistle.”
The bird recordings were played and Elvis Presley imitated them with his voice. “I need more space for them. They are beautiful! A whistle is too metallic, too formal, and too cold! If a human tries to reach out to another human, he uses his voice, not a whistle!”
Mozart did not know what to say…
Elvis Presley put more pressure on the great European composer, “I can take turns for all of them, from Papageno to Saratustra, from Papageno to Tamino. Everybody is low and high, vulgar and fine, comedian and serious. Papagena also can stand for Pamina, and it would be much more interesting…

A Birthday Gift, January 8, 2002,
T:— Congratulation, I heard about the success of your concert on the other side. Tell me about this concert! Was it the first one? Why did I see you barefooted?
EP:— I did Papageno, as I wanted to do it — barefooted, as a bird hunter. The audience went crazy. Mozart hated it and loved it He did not know what to say. Finally he said, “Okay. I hate you, but okay, go ahead…” Instead of a “vuih-vauh” that we hear at any production of Papageno, I did a nightingale’s long, sweat trill, topping that with more variations. John Lennon jumped on the stage and cried and the audience went absolutely gaga. I was a winner again and everybody saw that it wasn’t my time to become a surgeon in my next round on earth. I will sing again… I am a music student now, and no one doubts my future any more.
Shortly afterwards, I received a message from Mozart. I am passing it on to you as I remember it:
“That American Buffalo is my liberator. He cannot wait to ruin my operas by changing them. But maybe it is time to ruin them and let me go from this plane to the higher one. Constance and I, we will go together to the next level and, finally, I will be free to move on…”
The answer from Elvis was quick to come: “An Austrian Gazelle wouldn’t survive in my shoes a single day during my stay in America.”
T: Probably they met for a reason that can be fully understood much later, when the cosmic entity that we knew under the name Elvis Presley will be done with his opera singer career during his next time on earth.

Arriving Home! May 18,2002
EP: —They finally got me. I am a serious student in a conservatory. Mozart, who hates me because of my luck with women — whatever he says doesn’t matter, as I know it to be true — found me a teacher who can relate to me and whom I can understand. I know what the teacher wants from me! This guy didn’t want to incarnate any more but he will sacrifice his freedom and come down for me. It will be very difficult for him. Strangely enough, his name was, and will be again, Giovanni. In real life he will be a total opposite of the Giovanni whom we automatically think of when we hear the name. Giovanni will be a sickly, well groomed, spiritually advanced but weak in body guy. He will not stay long on earth. He will teach me on earth for a short time — our time will be short on earth, so I have to have to learn here. On earth I will only have time to recall the stuff that has been learned here. We will be friends, real friends on earth.
T:— Multidimensional existence of a human soul? How do you describe it?
EP:— Level number one is the ethereal level or the lower astral level. It is a very foggy place. A lot of gray, non-transparent fog is there. It looks like the schlep of smog from an unattended old car on the road. The schlep can be black, thick and totally nontransparent. During the healing session you saw this fog. My legs were freed from their attachment to that thick dark-gray fog that held me down, made me walk the earth and caused those bizarre Elvis “sightings” all over the country.
The second level that I am aware of is the astral level of communication. I am talking to you from that level right now. Here I have my human image. This is the level where I healed other drug addicts. I met thousand of sick souls and cut their dark images. During my healing session with Albert, we cut some of your dark images as well, but not all. There are some still left, and you will continue with him, and I will help. I became so skillful in cutting unwanted images out of sinners’ auras that I can help you while Albert will be trying to bring you to the higher level of forgiveness. This level is much closer to the Source, and it has more light and beauty. The talents and geniuses are walking around you and you become one of them, because you “brief in” the same energy. Now I am free to walk whatever level I want and I can visit this level whenever I like.
On that level I am home, finally!
However, there is still a higher level — the mission level. I am connected to that level as well. But I cannot consciously comprehend it. I am manipulated, guided, told what to do through my participation on that level. However, I have no knowledge about what I am doing there or what has been done to me. Probably, there are more levels that I don’t know about. Nevertheless, I know something about the functions of these levels. I know that there is a level of planning and a place for cosmic travels that may send you to another planet, or another galaxy. It happens to more advanced souls. I don’t belong to explorers but I was good with the fulfillment. What is important is attitude or intention and devotion to your mission. I did my best with my vocals on earth, and I did my best with the drug addicts on the middle level, earning my promotion on this side of the veil. Whatever you do, do it as well as you can. While working with the difficult souls I learned to help them most effectively. New York, Rome, and all the great European capitals supplied us with a constant flow of lost souls to work with. Actually it is a very sad picture. Russia already became the second thereby lowering Columbia and other Latino countries to third place.
T:—What is your attitude toward Mozart today?
EP: —I love his music dearly. However, I still want to do Papageno my way, it will be my passport to the International stage. Mozart was a genius, and he is a genius, and he doesn’t want to return on earth because of the hell that his countrymen created for him. He is more music angel than human. Probably, he will also return home, his HOME on some distant planet far away from earth!

“>From PRISONERS of FAME. THE SECOND and REVISED EDITION.
A Spirit Message from NIKOLAI GOGOL ¹

http://www.amazon.com/Prisoners-Fame-Second-Revised-ebook/dp/B006O09HF4/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1324349713&sr=1-1

The question, why God is punishing artists, writers, singers, mediums, or in some other way influential people by making them meet their egregores in afterlife was still haunting me. One day, my guide had mercy on me. He said in Russian, “Nikolai Gogol ¹ will help you out here. ” The continuation of this spirit message was written down in Russian. This is the English translation of the unique message from the author of the Russian classics, The Government Inspector, Dead Souls, The Overcoat and many other stories loved by Russian readers in the same way American readers love Mark Twain’s Huckleberry Finn and his other stories.
Nicolai Gogol: —Hi, Tanika. Yes, my name is Gogol. One of your guides, an old friend from my Saint Petersburg past, asked me to answer this. … By the way, you said that you yourself are afraid of this question. You asked why the brightest souls who made sense out of life on earth, who created beauty, brought hope and healing, were punished by facing their egregores in afterlife? Yes, egregores can be the worst kind of thought formations. There are cases when, putting it delicately, they can do more than turn a talent into a prisoner of his or her fame, … As your friend (William Powell in spirit message above) said, egregores may make a genius or talent experience hellish pain. And it may seem that God is jealous and punishing His brightest sons for attracting crowds of followers who instead of praying to God, start praying to their artistic idols – to John Lennon or Elvis Presley.
What conclusions may one draw from this? Is the devaluation of moral categories leading to the loss of moral values? People on earth have already experienced the sad consequences of lowered mores.
Tanika: —It is true. All we have to do is turn on our TV sets. Our daily news showers us with stories of shootings, murders, child pornography, molestation, rapes and deceptions caused by fallen or for some people, non-existing mores.
NG: —The truth is that God does not punish! The illusion of being punished comes from an inner agreement to be idolized and worshipped. This inner agreement succumbs to “omnicompetence,” feeding pride constantly, giving in to the temptation of enjoying his or her star status. An inner conviction that, “I am a star and you are not!” automatically leads to humiliation of surrounding people, and as a matter of fact — to the humiliation of the crowds of followers as well… It all adds up as a colossal burden of sins. The more followers, the bigger the burden; the longer the star status lasts, the bigger the burden!
T: —In this case, one may understand why Shakespeare preferred to stay anonymous in the eyes of his posterity. How are luminaries like Fyodor Dostoyevsky, Leo Tolstoy and Mark Twain handling inevitable meetings with their egregores? Can a writer’s life be so perfect that he will build no egregores?
NG: —The problem is, if a writer’s, musician’s, painter’s, or artist’s lifelong work has not built an egregore, this writer, musician, painter, or artist has not accomplished his mission. Without an egregore the astral images of artistic works — books, icons, paintings, music, will not spread in space and consequently, their task to multiply vibrations of love, beauty and hope in universe will not be fulfilled!
T: —What you are really saying is that the method of spreading artistic information is not perfect. Then why doesn’t an omnipotent God correct how vibrations of love, beauty and compassion are spread? Instead, God lets talents like Prometheus, who stole fire from Zeus and gave it to mortals, suffer eternal pain? (Prometheus was bound to a rock, while a great eagle ate his liver everyday only to have it grow back to be eaten again the next day). Perhaps the only right way is to practice humility and self-abasement the same way that anonymity was practiced by great painters from Medieval ages and yogis. Who are the martyrs and saints who can completely neutralize personal feelings and, at the same time, create works that “feed” the crowd’s need for truth, beauty and hope? Are there enough righteous souls to accomplish this?
NG: —There are none! That’s the point. There are no saints or idols! … It is an immeasurable sin to distinguish yourself! If you are given more, it was done only for multiplying beauty in this world and giving it away without asking for anything back! Instead, talented people who are capable of reaching out for rewards are used to take rewards from life without asking for approval.
T: —Was your afterlife merciful to you considering your incredible fame in Russia? Before you left this planet, you forced yourself to starve, you dedicated your writings to God, you accepted humbleness and you tried to be righteous! What did you achieve? Did you wash away your sins?
NG: —Not even close! My writings attracted flocks of devils to my death-bed. My stories disseminated fear among people, and my Akaki Akakievich 2 trudged after me as some God’s ugly punishment. He carried thousands of overcoats, suffocating under their weight, but was unable to give away a single one! I tried to send these overcoats to the Soviet Gulags in the northern regions, to camps of war prisoners and political prisoners, seeking to distribute them to people whose lives were endangered by winter frost… It is painful to recall this! However, that was how I got rid of my Akaki Akakievich, the creature my egregore bore from the sperm of my disagreement with my own poverty, my chronic depression, my inability to love and be loved… This is all for today! Keep love in your heart, God’s greatest gift! Only love will conquer everything.
I will add in brief that our Leo Tolstoy found himself on the astral fields of Borodino and Crimean battles; he met Bonaparte, the Russian czar Alexander, marshal Kutuzov and general Barclay de Tolly. Tolstoy kneeled on these fields created by his incredible talent and accurate descriptions in his novel “War and Peace”. He asked God’s forgiveness and begged Him to destroy these terrible pictures that invite aggressive forces to enter our world and continuously create wars, battles and suffering on earth.
T: — It turns out that such scenes as wars, battles, Nazi concentration camps, gas chambers and Siberian labor camps cannot be recreated by artistic geniuses in their works?
NG: —This can be done, but it has to be clear how to destroy the images of these description on astral and mental levels, instead of tossing them into space, where they start “working” against humanity by inspiring and attracting analogous events on earth!
T: —Thank you for this! But how can we do this? How do we rid ourselves of Raskolnikov’s image,3 the Raskolnikov who may still be roaming in space, axing elderly ladies along the way?
NG: —I will not give any instructions. This task belongs to priests and clairvoyants. I am not fit to do this. However, I can tell with certainty that the terrible pictures of hell created by Alighieri Dante 4 have been rendered completely harmless by Italian monks, here in our world. The conclusion is that it doesn’t matter what an artist creates. What matters is, do these images multiply beauty, love and light! If they do, it is a sign that these images were created by a true genius.
T: —Still, what can be done with hellish pictures of, say, Nazi gas chambers and Soviet gulags?
NG: —An artistic individual has to know how to destroy negative thought forms. And this is all that he or she has to know in order to exercise complete freedom of expression! Try to find out as much information as possible and as soon as possible!

1 Nikolai Vasilievich Gogol (1809 – 1852) was a Ukrainian-born Russian dramatist and novelist. Considered by his contemporaries one of the preeminent figures of the natural school of Russian literary realism, later critics have found in Gogol’s work a fundamentally romanic sensibility, with strains of surrealism and the grotesque (“The Nose”, “Viy”, “The Overcoat”, “Nevsky Prospekt”)

2 The central character of Gogol’s famous story ‘Overcoat’ was hailed by critics as a symbol of a Russian everyday man’s misery and degradation. The sentence, spilled by a critic “Все мы вышли из гоголевской ‘Шинели’ ” — “We all emerged from Gogol’s Overcoat” became a popular saying in Russia.
3 The central character in Crime and Punishment by F. Dostoyevsky.
4 Afterlife images in Alighieri Dante’s Divine Comedy

from the book Prisoners of Fame. The Second and Revised Edition, uploaded to Kindle:http://www.amazon.com/Prisoners-Fame-Second-Revised-ebook/dp/B006O09HF4/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1324349713&sr=1-1

The Impersonators
T: In 1999 I received the following message from Elvis Presley.
EP: —This is I, the king of love and exaggeration. I started to sing again after prolonged, backbreaking work in the rehab hospitals we have here for people crossing over in the drugged out state I was in. Now I am free to sing, but I have to wipe away all these terrible images of my impersonators that pop up around me like Halloween monsters. I have to deal with that crap!
I am looking for someone to help me stop a swamping flow of these cheap, horrible images. They are caricatures of me. My impersonators want to get in touch with fame by imitating me. What a lack of taste! What a frustration!
T: On July 2, 2001, I had a session with an internationally renowned medium and teacher Robert Brown. During that memorable session, Elvis Presley came through to Robert. Robert expressed his opinion about the Presley impersonators’ movement: “None of the celebrities like the impersonators, but they keep their images alive. Elvis likes those who try to be true to him. There will always be good and bad impersonators. The ones who do it just for money are horrible. Elvis says his impersonators are holding him close to earth… I do feel that he is doing quite humbling work in the spirit world.” Soon after the session with Robert Brown, I had a chance to ask Elvis Presley again if his feelings had changed towards his impersonators.
EP: —No. I haven’t changed my mind about the impersonators. There is no need to keep my image alive. I am preparing for my next life on earth and don’t need these caricatures of me invading and polluting my personal space. Walking around in my ‘costume’ is the same as violating a stranger’s privacy by driving through the glass door into the stranger’s living room, smashing into the fireplace, and letting the car explode there. If you owned that house, how would you feel about that intruder? This is what I think of them.
I added emphasis to the above answer because years later, in 2009, in a non related spirit message from Ruth Montgomery, I got some insight into the image of exploding cars in a person’s living room.

(From the author: more information about Elvis Presley spirit messages recorded by Tanika Palm can be found in architectural office of Vladimir Elmanovich, architect, AIA, phone (818) 986-0400. The e-book “Prosoners of Fame” can be found in Kindle Store.)

Ruth Montgomery Explains
How Spirit Communication Works

Ruth Montgomery from Spirit World: —Mental mediumship depends 100 percent on mental thought forms. The exchange of information through thought forms is the basis of spirit communication. Please reread Harry Edwards’ work about mediumship. I found that book in your head. Now you will understand what Edwards was talking about. Regrettably, I cannot speak to you directly, as I would like to! We exist on different planes. You are on earth, and I am not. I have finished my transition from the astral plane to the mental state — not the lowest state, but not the highest one either. It is the state for people like me who spent most of their time on earth writing.
If you send your search signals into space, I see them as little explosions of light — like Christmas sparklers! The spirit communication starts with the conscious and most often unconscious evocation of a particular spirit. You turn to us consciously when you are a professional, like a true shaman or magician or medium who performs in public. But if you are grieving for a person, you think about your deceased loved one more often than usual. People also think often about outstanding personalities who left their mark on the world like writers, composers, and other famous folk. People think of them while reading books, listening to music, looking at paintings, and watching classic films.
In the spirit world, it makes no difference whether your call is conscious or unconscious. For us it is all the same. You think about the dead and we see our images literally fly out of your head — like trains from a dark tunnel bursting into an open space filled with light! For example, if you think of me, it is like a ball of thread starting to unravel. If you intensify the search, it is as if you have struck a match and touched the end of the thread with the flame. Now the fire runs along the unraveling thread, burning it! (One may call it burning an Adrian thread.) When the flame finally reaches my consciousness, I perceive it as a powerful explosion and we are connected. I send out a thought form like “What the hell is going on here, why won’t this person on earth leave me alone?” Then I remember that this is you and that was me, who asked you to disturb me from time to time.
Now you feed me, and for you I will appear as a little thought form of myself. It doesn’t matter who you are talking to — to me, or to an egregore (a powerful thought form), or to a saint, or to God — it is always the same: a ball of thread begins to unravel and the result depends on the intensity of your wish to reach God or his archangels or a spirit like myself.
Sometimes, the thread can be quite sticky, as if the ball was dropped into sugary water. You as a medium have to get over the sticky part. How? You clean it with your desire to talk to me and trust that you are reaching out to me, and not to some shell of mine, which regrettably is also floating around…
The proof or confirmation of my identity is a good and necessary part of the process. I can get quite a bit of stuff out of your head to prove my identity… It all depends on your sincerity and the purity of your intention. Go deeper, as you did when you were working with Vysotsky. You took for proof the right things. Instead of settling for smaller coincidences, you sought out details connected to his work as a poet, stage actor, and film actor. You dealt with details that you did not know, and that his fans, sitters, and people around you did not know either. So spirit wasn’t able to fish them out of your mind, or out of the minds of your friends. Vysotsky’s world was far too complex for random spirits to imitate him. Keep searching for confirmations in this direction. I will think about what to give you in the future, if we happen to work together.
T: —Thank you for this incredible explanation, how spirit communication works. You are the champion! Speak to me, and to other mediums about things that are important to us to know!

Esperanza Spalding performing on December 10, 2009 at the Nobel Prize Concert of 2009.

Today is February 14, and astrologers predict a quiet and nice and cozy Valentine Day. People will hear and understand each other… 

(A compilation of various opinions suitable for “stars and life” page started by Tatyana E. in order to educate people to recognize how astrology works in real life. )  

However, I am tempted to comment on Grammy events on CBC, Sunday, February 13.
… Many astrologers ( I was not an exception) saw an unusually sharp change of mood developing during the day: it promised to start in “all-will-be-OK” mood, but go ugly at evening.  And it, sure, did! To the extent that made journalists reach for pens about behind-the-scene’s happenings at Grammy Awards. On the Internet, on can read the following: It was a huge surprise, when “Grammy winner for Best New Artist, a 26-year-old jazz bassist (…) beat out the seemingly unstoppable Justin Bieber. And that would be Esperanza Spalding–an enormously talented artist whose style and skills are musical first, and–unlike many of her predecessors–by no means intentionally commercial. It’s just working out that way. (…) One faction that WASN’T feeling so lucky were the Beliebers, aka Justin Bieber fanatics, who were so incensed over Justin’s perceived snub that they attacked Esperanza’s Wikipedia page, spamming it with outraged insults. Example post: “Justin Bieber deserved it go die in a hole. Who the heck are you anyway?” Justin himself admitted to MTV News that he was “disappointed,” but as the adorable video above (sorry, cannot bring video here, but yes, it showed that Justin Bieber could take the beating, and we have him for a long time on our TV screens – T.E. ) demonstrates, he was a much better sport about everything than his fans were.”

So, the nasty happened! But something else happened: in times when stars mark the periods of great decay and cleansing (as it happens right now and will last to the April 2011), when the heap of decay has been removed, on the bottom, there are often found something real as diamonds are.

Other Internet sources (like Wikipedia) say: “Esperanza Spalding (born 1984) is an American multi-instrumentalist known as a jazz bassist and singer. Spalding says she loves fusion music. She was influenced by a “wonderful arc that started 40 years ago where people kept incorporating modern sounds into their music.”

Spalding, who has expressed a desire to be judged for her musicianship rather than her sex appeal, believes that female musicians must take responsibility to avoid oversexualizing themselves, and that in order to write original music, one must read and stay informed about the world. She has said she models her career on those of Madonna and Ornette Coleman.”

As a former film critic from a little country Estonia, where I was 30 years in the saddle, and had seen it all, please, allow me to add that in the SUN, there is always room for a talent. It is not a talent that kills another talent, but  stupid competitions harm talented people, because they equalize the artistic performance with sport competitions.  It is done in order to create a spectacular show, and sell it successfully over the world … Do not take awards too seriously, this is not worth it!  All what matters is lifting audience’s vibes during performance, bring listeners happiness…  And for hte fans — be happy for promotion a deserving but less known artist, as it makes his/her life easier!  There is  plenty space in the Sun to all the talented artists in the entire world!        

PRISONERS of FAME by TATYANA E. 
spirit messages, thought forms,
group spirits, egregores, and what we can do about the
tyranny of the thought formations  
http:// www. spiritcommunicator.com 
4535 Cochran St.,  Apt. 226;  Simi Valley, CA 93063;  cell: (818)  631-6767; (805) 823-4691